{"id":99,"date":"2021-03-15T15:47:00","date_gmt":"2021-03-15T04:47:00","guid":{"rendered":"http:\/\/192.53.168.139\/?p=99"},"modified":"2022-09-07T22:30:26","modified_gmt":"2022-09-07T12:30:26","slug":"compositions","status":"publish","type":"post","link":"https:\/\/mcalley.net.au\/?p=99","title":{"rendered":"Compositions"},"content":{"rendered":"\n

Undeterred by a disastrous performance of my first song at a school camp, I have been composing in earnest since 1984. In 2000 I settled on an idiom that allowed me to fully indulge my enthusiasm for the expressive possibilities of counterpoint. Here is a incomplete list of my music. You may also find complementary information on my page at the Australian Music Centre<\/a>.<\/p>\n\n\n\n

Choral Music<\/h3>\n\n\n\n
Date<\/strong><\/td>Title<\/strong><\/td>Words<\/strong><\/td>Instrumentation<\/strong><\/td><\/tr>
2010<\/td>A Birthday (AMC<\/a>)<\/td>Christina Rossetti<\/td>SATTB choir<\/td><\/tr>
2012<\/td>Lamentations (AMC<\/a>)<\/td>Bible<\/td>5-part choir (SAATB or ATTBarB)<\/td><\/tr>
2012<\/td>Omnes angeli<\/a><\/td>Bible<\/td>40-part choir<\/td><\/tr>
2015<\/td>To Rosamounde, a balade (AMC<\/a>)<\/td>Geoffrey Chaucer<\/td>SSAATTBB choir with optional 18-part ending<\/td><\/tr>
2019<\/td>A Human Requiem
(world premiere 16 October 2022 in Melbourne<\/a>)<\/td>		Bible<\/td>Mezzo-soprano solo, SSAATTBB choir, with optional 18-part ending<\/td><\/tr>
2020<\/td>Magpie Morning<\/td>Katherine Firth<\/td>Clarinet, SATB choir with soprano and bass solos, organ<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n

Instrumental music<\/h3>\n\n\n\n
Date<\/strong><\/td>Title<\/strong><\/td>Words<\/strong><\/td>Instrumentation<\/strong><\/td><\/tr>
2007<\/td>Chaconne (AMC<\/a>)<\/td><\/td>Double string orchestra or double flute choir (10 parts)<\/td><\/tr>
2015<\/td>String Quartet (AMC<\/a>)<\/td><\/td>Two violins, viola, cello<\/td><\/tr><\/tbody><\/table><\/figure>\n","protected":false},"excerpt":{"rendered":"

Undeterred by a disastrous performance of my first song at a school camp, I have been composing in earnest since 1984. In 2000 I settled on an idiom that allowed me to fully indulge my enthusiasm for the expressive possibilities of counterpoint. Here is a incomplete list of my music. You may also find complementary … <\/p>\n

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