{"id":172,"date":"2024-09-16T14:17:24","date_gmt":"2024-09-16T04:17:24","guid":{"rendered":"https:\/\/mcalley.net.au\/?p=172"},"modified":"2024-09-16T14:28:27","modified_gmt":"2024-09-16T04:28:27","slug":"the-way-of-the-cross","status":"publish","type":"post","link":"https:\/\/mcalley.net.au\/?p=172","title":{"rendered":"The Way of the Cross"},"content":{"rendered":"\n<h4 class=\"wp-block-heading\">A contemporary audio meditation on the Stations of the Cross<\/h4>\n\n\n\n<p class=\"has-normal-font-size\">Album out now: listen on <a href=\"https:\/\/music.apple.com\/au\/album\/the-way-of-the-cross\/1767494780\">Apple Music<\/a>, <a href=\"https:\/\/open.spotify.com\/album\/4DQVwe3E3CHOz1Opm3chPf?si=pojjHOS2QvOCj0ZxfIEVYg\" data-type=\"link\" data-id=\"https:\/\/open.spotify.com\/album\/4DQVwe3E3CHOz1Opm3chPf?si=pojjHOS2QvOCj0ZxfIEVYg\">Spotify<\/a>, <a href=\"https:\/\/youtube.com\/playlist?list=OLAK5uy_kYRFAzz30PHqMwqzODddTUmS7-9yb2NVg&amp;feature=shared\">YouTube<\/a>, <a href=\"https:\/\/music.youtube.com\/playlist?list=OLAK5uy_m7AAoE0NbcD5CkWFAgFXYWivJL-RZ6WYw&amp;si=7EfA8oKng_CE41yn\" data-type=\"link\" data-id=\"https:\/\/music.youtube.com\/playlist?list=OLAK5uy_m7AAoE0NbcD5CkWFAgFXYWivJL-RZ6WYw&amp;si=7EfA8oKng_CE41yn\">YouTube Music<\/a>.<\/p>\n\n\n\n<div class=\"wp-block-cover\"><span aria-hidden=\"true\" class=\"wp-block-cover__background has-background-dim\"><\/span><img loading=\"lazy\" decoding=\"async\" width=\"977\" height=\"1024\" class=\"wp-block-cover__image-background wp-image-175\" alt=\"Michelangelo\u2019s Piet\u00e0, a statue of Mary holding Christ after his death.\" src=\"https:\/\/mcalley.net.au\/wp-content\/uploads\/2024\/09\/Pieta_de_Michelangelo_-_Vaticano-977x1024.jpg\" style=\"object-position:44% 27%\" data-object-fit=\"cover\" data-object-position=\"44% 27%\" srcset=\"https:\/\/mcalley.net.au\/wp-content\/uploads\/2024\/09\/Pieta_de_Michelangelo_-_Vaticano-977x1024.jpg 977w, https:\/\/mcalley.net.au\/wp-content\/uploads\/2024\/09\/Pieta_de_Michelangelo_-_Vaticano-286x300.jpg 286w, https:\/\/mcalley.net.au\/wp-content\/uploads\/2024\/09\/Pieta_de_Michelangelo_-_Vaticano-768x805.jpg 768w, https:\/\/mcalley.net.au\/wp-content\/uploads\/2024\/09\/Pieta_de_Michelangelo_-_Vaticano-1466x1536.jpg 1466w, https:\/\/mcalley.net.au\/wp-content\/uploads\/2024\/09\/Pieta_de_Michelangelo_-_Vaticano-1568x1643.jpg 1568w, https:\/\/mcalley.net.au\/wp-content\/uploads\/2024\/09\/Pieta_de_Michelangelo_-_Vaticano-450x472.jpg 450w, https:\/\/mcalley.net.au\/wp-content\/uploads\/2024\/09\/Pieta_de_Michelangelo_-_Vaticano.jpg 1584w\" sizes=\"auto, (max-width: 977px) 100vw, 977px\" \/><div class=\"wp-block-cover__inner-container is-layout-flow wp-block-cover-is-layout-flow\">\n<p class=\"has-text-align-center has-small-font-size\"><\/p>\n<\/div><\/div>\n\n\n\n<p class=\"has-text-align-right has-inter-font-family has-small-font-size\">Photograph by Stanislav Traykov CC BY 2.5<\/p>\n\n\n\n<p class=\"has-normal-font-size\">In the year 2000 I was commissioned to compose a piece for the inauguration of the ecumenical <em>Way of the Cross<\/em> march, organised by Melbourne City Churches in Action. The sculptor Anna Meszaros created fourteen stations that stand in various city churches, and every Good Friday a large group of people marches around the city, with prayer and meditation at every station. The eleventh station\u2014<em>Jesus speaks to the good thief<\/em>\u2014can be found outside Scots\u2019 Church in Collins St. Since then, I have enjoyed looking at various sculptures and paintings of the <em>Way of the Cross<\/em> in Australia and Europe.<\/p>\n\n\n\n<p class=\"has-normal-font-size\">This album began as a lunchtime concert for Holy Week at the Scots\u2019 Church in Melbourne. Instead of assembling some singers and singing renaissance music like I usually do, I decided to try something more contemporary. This concert was intended to be a meditation on selected stations of the cross, revealing the emotions behind the stations with simple singing of carefully-chosen songs. Some of the songs are sacred, some are secular, and some in between, but I intend that they all convey a personal impression of Christ\u2019s passion.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\" id=\"overview\">Overview<\/h3>\n\n\n\n<p><strong><a href=\"#first\">The Last Supper:<\/a><\/strong> Farewell.<br><em>The Parting Glass<\/em> (Scottish &amp; Irish traditional)<\/p>\n\n\n\n<p id=\"overviewtwo\"><br><strong><a href=\"#second\">The Garden of Gethsemane:<\/a><\/strong> Fear<br><em>Gethsemane<\/em> from <em>Jesus Christ, Superstar<\/em> (lyrics by Tim Rice, music by Andrew Lloyd-Webber)<\/p>\n\n\n\n<p id=\"overviewthree\"><br><strong><a href=\"#third\">Peter\u2019s betrayal of Jesus:<\/a><\/strong> Regret<br><em>Have mercy on me<\/em> \/ <em>Dido\u2019s Lament<\/em> (lyrics from Psalm 51, music by Henry Purcell)<\/p>\n\n\n\n<p><br><strong>Jesus scourged and crowned with thorns:<\/strong> Pain<br>Improvisation (Tony Gould)<\/p>\n\n\n\n<p id=\"overviewfive\"><br><strong><a href=\"#fifth\">Jesus is crucified:<\/a><\/strong> Desolation<br><em>Were you there when they crucified my Lord?<\/em> (African-American spiritual)<\/p>\n\n\n\n<p id=\"overviewsix\"><br><strong><a href=\"#sixth\">Jesus speaks to Mary and John:<\/a><\/strong> Death of one\u2019s child<br><em>Tears in Heaven<\/em> (Eric Clapton &amp; Will Jennings)<\/p>\n\n\n\n<p><br><strong>Jesus dies on the cross:<\/strong> Staring into the void; abandonment<br>Improvisation (Tony Gould)<\/p>\n\n\n\n<p id=\"overvieweight\"><br><strong><a href=\"#eighth\">Jesus is taken down from the cross:<\/a><\/strong> Piet\u00e0<br><em>Sweet Lullaby<\/em> (Traditional Baeggu lullaby, as interpreted by Emma Gilmartin, Tony Gould)<\/p>\n\n\n\n<p class=\"overviewnine\" id=\"overviewnine\"><br><strong><a href=\"#ninth\">Jesus rises from the dead:<\/a><\/strong> Hope<br><em>The White Cliffs of Dover<\/em> (Nat Burton &amp; Walter Kent)<br><em>Prepare ye the way of the Lord<\/em> from <em>Godspell<\/em> (John-Michael Tebelak &amp; Stephen Schwarz)<\/p>\n\n\n<hr \/>\n\n\n<p class=\"has-normal-font-size\" id=\"first\"><strong>The Last Supper: <\/strong>Farewell<br><em>The Parting Glass<\/em> (Scottish &amp; Irish traditional)<\/p>\n\n\n\n<p class=\"has-normal-font-size\">The Parting Glass is a beloved song of farewell in Scotland and Ireland, possibly the most popular farewell song in Scotland before Robbie Burns wrote Auld Lang Syne. The words have been around since at least 1600, and the music was first published in 1782.<\/p>\n\n\n\n<p class=\"has-small-font-size\">Lyrics:<br>Oh all the comrades e\u2019er I had:<br>They\u2019re sorry for my going away,<br>And all the sweethearts e\u2019er I had:<br>They\u2019d wish me one more day to stay,<br>But since it falls unto my lot<br>I\u2019ll gently rise and softly call<br>That I should go and you should not:<br>Good night and joy be with you all.<\/p>\n\n\n\n<p><a href=\"#overview\">(Return to overview)<\/a><\/p>\n\n\n\n<p class=\"has-normal-font-size\" id=\"second\"><strong>The Garden of Gethsemane:<\/strong> Fear<br><em>Gethsemane<\/em> from <em>Jesus Christ, Superstar<\/em> (lyrics by Tim Rice, music by Andrew Lloyd-Webber)<\/p>\n\n\n\n<p class=\"has-normal-font-size\">Jesus Christ, Superstar made a significant step in its long journey from controversy to respectability when Steve Balsamo sang Gethsemane on the BBC\u2019s Songs of Praise in 2008. It is a powerful imagining of Jesus\u2019 prayer in the Garden of Gethsemane, with Jesus pleading, bargaining, and being angry with God before finally and reluctantly accepting his fate.<\/p>\n\n\n\n<p class=\"has-small-font-size\">Lyrics:<br>I only want to say<br>If there is a way:<br>Take this cup away from me<br>For I don\u2019t want to taste its poison,<br>Feel it burn me\u2014<br>I have changed I&#8217;m not as sure<br>As when we started<br>Then I was inspired<br>Now I\u2019m sad and tired<br>Listen surely I&#8217;ve exceeded<br>Expectations<br>Tried for three years<br>Seems like thirty<br>Could you ask as much<br>From any other man?<br>But if I die:<br>See the saga through<br>And do the things you ask of me\u2013<br>Let them hate me, hit me, hurt me,<br>Nail me to their tree<br>I\u2019d want to know,<br>I\u2019d want to know, my God,<br>I\u2019d want to see, my God,<br>I\u2019d want to see,<br>I\u2019d want to see, my God,<br>Why I should die<br>Would I be more noticed<br>Than I ever was before?<br>Would the things I\u2019ve said and done<br>Matter any more?<br>I\u2019d have to know,<br>I\u2019d have to know, my Lord,<br>I\u2019d have to see,<br>I\u2019d have to see, my Lord,<br>If I die what will be my reward?<br>I&#8217;d have to know,<br>I&#8217;d have to know, my Lord,<br>I&#8217;d have to know,<br>I&#8217;d have to know, my Lord,<br>Why should I die?<br>Oh, why should I die?<br>Can you show me now that I would not be killed in vain?<br>Show me just a little of your omnipresent brain<br>Show me there&#8217;s a reason for your wanting me to die<br>You\u2019re far too keen on where and how but not so hot on why<br>Alright I&#8217;ll die!<br>Just watch me die!<br>See how, see how I die!<br>Oh, just watch me die!<br>Then I was inspired,<br>Now I\u2019m sad and tired,<br>After all I\u2019ve tried for three years\u2013<br>Seems like ninety.<br>Why then am I scared<br>To finish what I started,<br>What you started,<br>I didn\u2019t start it.<br>God thy will is hard\u2013<br>But you hold every card<br>I will drink your cup of poison<br>Nail me to your cross and break me<br>Bleed me, beat me<br>Kill me, take me now<br>before I change my mind.<\/p>\n\n\n\n<p><a href=\"#overviewtwo\">(Return to overview)<\/a><\/p>\n\n\n\n<p id=\"third\"><strong>Peter\u2019s betrayal of Jesus:<\/strong> Regret<\/p>\n\n\n\n<p><em>Have mercy on me<\/em> \/ <em>Dido\u2019s Lament<\/em> (lyrics from Psalm 51, music by Henry Purcell)<\/p>\n\n\n\n<p>I wanted to find a song about the kind of regret that makes you want to weep as Peter did when he realised how badly he had let Jesus down. I looked through a large number of songs, before realising that none of them expressed regret quite as well Psalm 51. This psalm was written by King David when the prophet Nathan pointed out how badly he had misused his power, effectively murdering Uriah to be able to marry Uriah\u2019s wife Bathsheba. I have fitted the words to the music of <em>Dido\u2019s Lament<\/em> by Purcell, one of the great \u201cground bass\u201d arias, and one that has been interpreted by many traditional and modern musicians.<\/p>\n\n\n\n<p class=\"has-small-font-size\">Lyrics:<br>Have mercy upon me, O God,<br>according to thy lovingkindness:<br>my sin is ever before me.<\/p>\n\n\n\n<p><a href=\"#overviewthree\">(Return to overview)<\/a><\/p>\n\n\n\n<p id=\"fourth\"><strong>Jesus is scourged and crowned with thorns:<\/strong> Pain<\/p>\n\n\n\n<p>Improvisation (Tony Gould)<\/p>\n\n\n\n<p><a href=\"#overviewthree\">(Return to overview)<\/a><\/p>\n\n\n\n<p id=\"fifth\"><strong>Jesus is crucified:<\/strong> Desolation<\/p>\n\n\n\n<p><em>Were you there when they crucified my Lord?<\/em> (African-American spiritual)<\/p>\n\n\n\n<p>The top of a cross would undoubtedly be a lonely place. This very famous spiritual was most likely composed by African-American slaves in the nineteenth century, and was first printed in 1899. Its simple and direct expression makes it an especially effective piece to sing without accompaniment.<\/p>\n\n\n\n<p class=\"has-small-font-size\">Lyrics:<br>Were you there when they crucified my Lord?<br>Were you there when they crucified my Lord?<br>O! Sometimes it causes me to tremble! tremble! tremble!<br>Were you there when they crucified my Lord?<\/p>\n\n\n\n<p class=\"has-small-font-size\">Were you there when they nailed him to the cross?<br>Were you there when they nailed him to the cross?<br>O! Sometimes it causes me to tremble! tremble! tremble!<br>Were you there when they nailed him to the cross?<\/p>\n\n\n\n<p class=\"has-small-font-size\">Were you there when they pierced him in the side?<br>Were you there when they pierced him in the side?<br>O! Sometimes it causes me to tremble! tremble! tremble!<br>Were you there when they pierced him in the side?<\/p>\n\n\n\n<p class=\"has-small-font-size\">Were you there when the sun refused to shine?<br>Were you there when the sun refused to shine?<br>O! Sometimes it causes me to tremble! tremble! tremble!<br>Were you there when the sun refused to shine?<\/p>\n\n\n\n<p><a href=\"#overviewfive\">(Return to overview)<\/a><\/p>\n\n\n\n<p id=\"sixth\"><strong>Jesus speaks to Mary and John:<\/strong> Death of one\u2019s child<\/p>\n\n\n\n<p><em>Tears in Heaven<\/em> (Eric Clapton &amp; Will Jennings)<\/p>\n\n\n\n<p>This scene, where Jesus tells his mother and John to look after each other, is very touching. Emotionally, I wanted to turn it around and think of the scene from Mary\u2019s point of view. Losing a child is devastating, and then being new father, I could glimpse just how devastating it might be. <em>Tears in Heaven<\/em> was written by Eric Clapton after the tragic death of his four-year-old son Conor. He was able to channel his grief into this heartfelt song that speaks to parents and non-parents alike.<\/p>\n\n\n\n<p class=\"has-small-font-size\">Lyrics:<br>Would you know my name<br>If I saw you in heaven?<br>Would it be the same<br>If I saw you in heaven?<br>I must be strong and carry on<br>&#8216;Cause I know I don&#8217;t belong here in heaven<\/p>\n\n\n\n<p class=\"has-small-font-size\">Would you hold my hand<br>If I saw you in heaven?<br>Would you help me stand<br>If I saw you in heaven?<br>I&#8217;ll find my way through night and day<br>&#8216;Cause I know I just can&#8217;t stay here in heaven<\/p>\n\n\n\n<p class=\"has-small-font-size\">Time can bring you down, time can bend your knees<br>Time can break your heart, have you begging please, begging please<\/p>\n\n\n\n<p class=\"has-small-font-size\">Beyond the door there&#8217;s peace I&#8217;m sure<br>And I know there&#8217;ll be no more tears in heaven<\/p>\n\n\n\n<p class=\"has-small-font-size\">Would you know my name<br>If I saw you in heaven?<br>Would it be the same<br>If I saw you in heaven?<br>I must be strong and carry on<br>&#8216;Cause I know I don&#8217;t belong here in heaven<\/p>\n\n\n\n<p><a href=\"#overviewsix\">(Return to overview)<\/a><\/p>\n\n\n\n<p><strong>Jesus dies on the cross:<\/strong> Staring into the void; abandonment<\/p>\n\n\n\n<p>Improvisation (Tony Gould)<\/p>\n\n\n\n<p><a href=\"#overviewsix\">(Return to overview)<\/a><\/p>\n\n\n\n<p id=\"eighth\"><strong>Jesus is taken down from the cross:<\/strong> <em>Piet\u00e0<\/em><\/p>\n\n\n\n<p><em>Sweet Lullaby<\/em> (Traditional Baeggu lullaby, as interpreted by Emma Gilmartin &amp; Tony Gould)<\/p>\n\n\n\n<p>This song is the first track on Emma Gilmartin\u2019s album with Tony Gould, and is much of the inspiration for the whole album. The idea of the <em>Piet\u00e0<\/em> (a picture or sculpture of Mary cradling the dead Jesus) developed in Germany around 1300 and gradually gained popularity around Europe. I have seen many beautiful examples in Europe, the most extraordinary and moving being Michelangelo\u2019s famous sculpture in Rome. Perhaps Mary is thinking back to when she cradled and sang her infant son to sleep, as she says goodbye to him for the last time.<\/p>\n\n\n\n<p class=\"has-small-font-size\">Lyrics:<br>Sleep in peace; be still, I am here for you,<br>Dream away, you are safe in my arms,<\/p>\n\n\n\n<p class=\"has-small-font-size\">Through the long, long night to the morning<br>No need to drown now the page is turned over,<br>Close your eyes and breathe in the silence,<br>You will find peace and time to love again.<\/p>\n\n\n\n<p class=\"has-small-font-size\">Through the long, long night to the morning<br>Hide away from the world you remember,<br>Though you feel so far from the answer<br>You will find peace and time to love again.<\/p>\n\n\n\n<p><a href=\"#overvieweight\">(Return to overview)<\/a><\/p>\n\n\n\n<p id=\"ninth\"><strong>Jesus rises from the dead:<\/strong> Hope<\/p>\n\n\n\n<p><em>The White Cliffs of Dover<\/em> (Nat Burton &amp; Walter Kent)<br><em>Prepare ye the way of the Lord<\/em> from <em>Godspell<\/em> (John-Michael Tebelak &amp; Stephen Schwarz)<\/p>\n\n\n\n<p>Jesus\u2019 resurrection is a relatively recent addition to the Way of the Cross. After his death, Jesus\u2019 friends and disciples were in mourning. In hindsight, we know that Easter is coming, but it is still Lent, so the miracle of Easter is more of a dim light at the end of a long bleak tunnel. <em>The White Cliffs of Dover<\/em>, made famous by Dame Vera Lynn, offered the prospect of eventual hope during the darkest days of World War II.<\/p>\n\n\n\n<p>The program ends with a beginning: the first song from Godspell. Just as John the Baptist wants people to prepare for the coming of the Christ, we should be preparing for the Kingdom of God that will have its genesis on Easter morning.<\/p>\n\n\n\n<p class=\"has-small-font-size\">Lyrics:<br>There\u2019ll be bluebirds over<br>The white cliffs of Dover<br>Tomorrow\u2013<br>Just you wait and see.<\/p>\n\n\n\n<p class=\"has-small-font-size\">There\u2019ll be love and laughter,<br>And peace ever after<br>Tomorrow\u2013<br>When the world is free<\/p>\n\n\n\n<p class=\"has-small-font-size\">The shepherd will tend his sheep,<br>The valley will bloom again,<br>And Jimmy will go to sleep,<br>In his own little room again.<\/p>\n\n\n\n<p class=\"has-small-font-size\">There\u2019ll be bluebirds over<br>The white cliffs of Dover<br>Tomorrow\u2013<br>Just you wait and see.<\/p>\n\n\n<hr \/>\n\n\n<p class=\"has-small-font-size\">Prepare ye the way of the Lord,<br>Prepare ye the way of the Lord.<\/p>\n\n\n\n<p><a href=\"#overview\">(Return to overview)<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>A contemporary audio meditation on the Stations of the Cross Album out now: listen on Apple Music, Spotify, YouTube, YouTube Music. Photograph by Stanislav Traykov CC BY 2.5 In the year 2000 I was commissioned to compose a piece for the inauguration of the ecumenical Way of the Cross march, organised by Melbourne City Churches &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/mcalley.net.au\/?p=172\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;The Way of the Cross&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[22,20],"tags":[26,25,29,30,28,27,17],"class_list":["post-172","post","type-post","status-publish","format-standard","hentry","category-arrangements","category-music","tag-good-friday","tag-holy-week","tag-jazz","tag-meditation","tag-sam-qualtrough","tag-tony-gould","tag-vaughan-mcalley","entry"],"_links":{"self":[{"href":"https:\/\/mcalley.net.au\/index.php?rest_route=\/wp\/v2\/posts\/172","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mcalley.net.au\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mcalley.net.au\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mcalley.net.au\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/mcalley.net.au\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=172"}],"version-history":[{"count":18,"href":"https:\/\/mcalley.net.au\/index.php?rest_route=\/wp\/v2\/posts\/172\/revisions"}],"predecessor-version":[{"id":192,"href":"https:\/\/mcalley.net.au\/index.php?rest_route=\/wp\/v2\/posts\/172\/revisions\/192"}],"wp:attachment":[{"href":"https:\/\/mcalley.net.au\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=172"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mcalley.net.au\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=172"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mcalley.net.au\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=172"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}